Welcome to the LiveLooping site!
Our aim is to show you
what Livelooping is about,
how it sounds
and how it is made!
You will find details of many looping musicians from around the world, both famous and unknown.
Or, choose specific links on the right. The site is new to the world and (like a good loop) constantly evolving – contributions welcomed!
If you feel like talking to other looping musicians, we recommend several groups
For further discussion, please go to the Forum or search for information at the LD archive.
You can buy a looping CD at our Bandcamp page and view some videos on our Youtube channel
Terry Riley, father of livelooping, turns 80 today (June 24, 2015). We would not be here without him.
At 80, Terry Riley is a happy man
Terry Riley Full Interview – December, 2008 from Picoas Project on Vimeo.
This blog page of Sean Costello points to a very interesting essay (in PDF format) about the history of reverb.
Sean Costello is known in the livelooping scene as the author of the fabulous ValhallaShimmer reverb plugin (and several other plugins).
J.A.Deane is a multiinstrumentalist known for his percussion work on the earlier Jon Hassell albums, for example. Here is his personal history of sampling/looping in two parts:
My band Lost Garden (myself and ex-Comsat Angel Andy peake on keys) have their debut CD Cotyledon out now, featuring looped guitar throughout – if you want to hear what Ableton’s built-in looper is capable of, check out the audio samples, then buy a copy
Please share wherever you can, we need the PR
haven’t checked this out, but any Roland product is worth investigating
Over the last 18 months, I’ve made a gradual transition from rack/pedal to laptop-based rig. Here’s my current set,-up, which gives me almost unlimited flexibility at modest cost.
The “looper” device is basic by EDP standards, but still very functional. Features include;
record / playback / clear / undo / pitch shift up to 3 octaves above & below, in semi-tone intervals / reverse / double length / half length
You can quantise the loop to the current BPM, or have it set the tempo arbitrarily. It can also mute the input so the channel only plays back the loop, not the input signal. More info here.
Californian multi-instrumentalist Eli Salzman wrote a wonderful little article on how livelooping changed his music life:
“When the One comes around – How a Singer / Songwriter was changed by a pedal”
Eli Salzman at work (photo: Ben Jammin)
Here’s a great post by David Torn about the sad state of today’s looper pedal industry.
“dear folks who make looping-devices, esp. those which are marketed to guitarists:
your products are decades behind the times; decades.”
Here’s a great video example of how to build a conventional song structure via looper.
After a long learning curve I’ve successfully managed to live loop using the “looper” feature of Ableton – I’m using an old midi pedal to send patch changes to midi-ox, which converts them to CC messages so Ableton can respond to them. The features I control via foot include
record / playback / clear / undo / half speed or double speed (both multiple octaves) / reverse / half or double loop length
Of course, this is massively extended using the VST and native audio effects within Ableton, which are virtually unlimited. It’s a very flexible solution and has persuaded me to forsake my EDP rack for a laptop running XP. Touch wood, it’s worked fine so far!
If anyone is interested, I can explain how this is done at greater length. I’m not so savvy with making videos of the screen, so it would be text based.